The United States Navy has commended a Nigerian man identified as Lieutenant Victor Agunbiade for managing it’s largest overseas cash disbursement office well.
Lieutenant Agunbiade was awarded the Navy and Marin Corp Development Medal for his exemplary accountability.
According to the US Navy, Agunbiade effectively managed its largest cash disbursing office handling 45 million dollars which is approximately N17 billion.
The money accounted for approximately 70% of its overseas disbursing volume.
According to the award citation, Agunbiade earned the honor while serving as cash disbursing Officer at the navy’s Camp Lemonnier in Djibouti, between October, 2019 to July this year.
“Additionally, he managed 100 per cent accountability of 23 million dollars (N8.7 billion) across six rigorous inspections and independent audits with zero discrepancies.
By his unswerving determination, wise judgment and complete dedication to duty, Agunbiade reflected great credit upon himself and upheld the highest traditions of the United States naval service” the citation read
Agunbiade enlisted in the US Navy as a storekeeper in 2008 and was commissioner as a supply corps officer in 2013. He has always displayed a high level of professionalism while discharging his duties.
In 2018, Agunbiade was named the Navy’s 2018 Officer Recruiter of the Year, alongside 17 others and honored at the annual Recruiter of the Year ceremony in Washington D.C.
The In Pursuit book tells a story of undeniable truths from the angle of the African entrepreneur.
“Until the lion tells his side of the story, the tale of the hunt will always glorify the hunter.” ~ Chinua Achebe.
The Mission is simple if you choose to accept it. Building the new Africa will take a fight, we must arm all with knowledge and perspective. We must reintroduce ourselves and educate the world by taking back the lens and pen to tell our own authentic stories. We can guarantee that the journey will be littered with adversities and challenges as we battle from the office to the streets.
Justice Monica Dongban-Mensem has been confirmed as the President of the Court of Appeal by the Nigerian senate.
Her confirmation is coming days after some Nigerians accused President Buhari of delaying her confirmation for ethnoreligious reasons, despite the recommendation of the National Judicial Council. President Buhari however defended himself by saying that security agencies were yet to conclude their background checks on her.
Before being confirmed on Thursday June 11, Gabriel Suswam (PDP, Benue) who was a member of the committee that screened Ms Dongban-Mensem said “she is very experienced and qualified for the job and there is is no argument as to her qualifications.”
James Jiya John Kolo was also confirmed as a commissioner of the Federal Character Commission to represent Nasarawa State.
Some Nollywood heavyweights have reacted to the recently released National Broadcasting Commission (NBC) 6th Broadcast Code which takes away their exclusive right to the content they created.
The new code makes exclusivity illegal, compels content sub-licensing and aims to regulate the prices at which content is sub-licensed whether or not they recoup their investment. However some investors and content streaming service providers which include Netflix, Amazon, iROKOtv and Africa Magic see it as a huge threat to their investment as it erodes the possibility of reaping dividends on their investments.
An industry source told Vanguard;
“These sections prohibit broadcasters from entering into rights acquisition agreements that do not allow the sub-licensing of such rights in Nigeria. The implication is that any such agreement entered into is void.”
Another insider who reacted to the new NBC code said sub-licensing will inhibit investments, especially by foreigners in the content creation and broadcasting industry.
“I wasn’t surprised to learn that Netflix and Amazon are fretting. They should fret because they have invested heavily in the acquisition of Nigerian content.
“They are yet to recoup their investments, but you’re saying they must sell to competitors. Do you think other investors will be encouraged to come and invest? No.
“AfricaMagic has spent tonnes of money buying and creating local content. They are right to panic. So is Irokotv.”
A former content producer told the publication that NBC is seeking to turn private enterprise into state property and be the one to determine the scale of dividends an investor should reap on his investment.
Also reacting to this in an Instalive conversation, Ruth Kadiri stated that this will have an adverse effect on actors as many will be forced out of jobs and might be underpaid.
Mary Remmy Njoku, the Director General of ROK Studios stated that though the NBC claimed it is trying to protect local broadcasters, the new policy takes away their negotiating power as the agency seeks to be one to negotiate how much they will sell their content even if they are losing money.
Uche Jombo on her own part accused the agency of trying to make things harder for them even though they’ve not created the enabling environment for the entertainment industry to thrive. She also expressed fear of the new policy hindering growth of the Nigerian movie industry.
The New Yam Festival is otherwise known as the “Iri ji”, Iwaji or Ike ji (depending on dialect) is synonymous to the South-Eastern people of Nigeria, as well as Ghana and several other West African Countries. The Iri ji is an eventful annual Cultural festival celebrated by the Igbo people usually around August and September.
Iri ji (otherwise known as “New Yam eating) symbolizes the climax of the harvest season and marking the end of a farm work cycle. The celebration is a very culturally based occasion, tying individual Igbo communities together as primarily agrarian and dependent on Yam.
Yams of all
the farm crops occupy a prominent place among the Igbos in South-Eastern
Nigeria. And as such the New Yam
Festival is a celebration depicting the position of Yam in the socio-cultural
life of Igbo people. The evening before the day of the festival, all old yams
in the Yam’s barn (from the previous year’s crop) are either consumed or
discarded. This is because it is believed that the New Year must begin with
tasty, fresh yams instead of the old dried-up crops of the previous year. On
the day of the festival, only dishes of yam are served at the feast, as the
festival is symbolic of the abundance of the produce.
The duration of the festival lasts between a day in some communities to a whole week in others across the region. The activities marking the celebration include a variety of entertainments and ceremonies, including the performance of rites by the Igwe (King), the eldest man or chief priest, wrestling matches by the young Igbo men, dances by the women and children. It is a show of unique Igbo cultural activities in the form of contemporary plays, masquerade dances, and fashion parades.
The festival usually commenced with the Igwe or chief priest offering yams to the gods and ancestors as an expression of gratitude for the protection throughout the farming period as well as leading the people to a period of a bountiful harvest. After the prayers of thanksgiving to God, the Igwe, chief priest or the eldest man eat the roasted yam first by their position as intermediaries between the gods of the land and the community. The yam after that distributed to the people. The yams are usually eaten with the traditional local sauce of fresh red palm oil.
In Ghana, a
similar event is also held at the same time of the year. Ghanaians call theirs
“Homowo” or “To Hoot at Hunger” Festival, the people hope for a good harvest so
no famine will hit the people in the coming year.
of yam and the celebration of the God of the land through the New Yam festival is
an epitome of the people’s religious belief in the supreme deity. The coming of
the new moon in August marks the preparation of the “Iri ji ohu” festival, but
the time and mode of the preparation differ from community to community. The
colorful festival is a visual spectacle of coherence, of dance, of joy and
feasting, an annual display for community members, to mark the end of the
cultivation season, a festival where the people express their gratitude to
those that helped them reap a bountiful harvest.
Yam festival. Retrieved 24-10-2016. Archived.
Daniels, Ugo. African Loft. 06-11-2007. Iwa ji ofu (New Yam Festival) In Igboland. Retrieved 24-10-2016.
Onwutalobi, Anthony – Claret. “New Yam Festival – The Official Nnewi City Portal; www.nnewi.info. Retrieved 24-10-2016
Omenuwa, Onyema. The Week 22-11-2007. Republished by Philip Emeagwali. Igbo Festival In Honour of New Yam. Retrieved . 24-10-2016
The Maiden New Yam Festival (Okuka Iri ji ndi Igbo) at Igbo Ukwu.nacd.gov.ng Retrieved 24-10-2016.
Osogbo festival is believed to be the oldest known festival in Nigeria and
indeed Africa that still exists in its original forms and practices from
inception till date without adulteration or modifications.
The history of the Osogbo people is largely surrounded by mystical and spiritual beliefs along the lines of the traditions of the Yorubas in the South-West of Nigeria. History has it that the Osun river goddess was responsible for the founding and establishment of Osogbo town. Some accounts described her as the Oso – Igbo, the queen, and founder of Osogbo town; hence the Osun Osogbo festival, which has been celebrated for about six hundred centuries, was built around the relationship between the river goddess Osun and the first Monarch of Osogbo kingdom, Oba Gbadewolu Laroye.
Osogbo festival epitomizes the sacredness of the African Cultural traditions
when one considers how the people of Osogbo have carefully guarded and
preserved the norms of this festival since 1370 when their forefathers
bequeathed the age-long tradition to them.
people gather annually every August to celebrate what they called their
‘Founder’s Day’ as a mark of the bond that was established between a river
goddess, Osun and Oba Gbadewolu Laroye inside the Osun Grove, where lies the
origin of the Osogbo ascendancy and kingship institution, since over six
The event is
perhaps the grandest and colorful festival organized at the ‘Osun’ sacred
groves in Osogbo. It draws tens and thousands of believers and tourists from
both within and outside Nigeria. The custodian and priestess of this grove is a
German-born devotee of the Osun deity, named Susan Wenger in her early
eighties, and popularly called “Aduni Olorisa” or “Iya Osun” by the believers.
The Osun devotees dress traditionally in white cloths during the period of the
festival and hold the belief that the river goddess brings divine favor and has
healing and fertility powers.
proximity of the forest to human habitation, the grove is traditionally
maintained and protected by the indigenous people using the myths and belief
system. This prevents any form of encroachment regarded as blasphemous and
offensive to the gods and the goddess. Osun Grove first gained recognition by
UNESCO in 2005 as a World Heritage Site and this was linked to the
consistencies the festival has enjoyed over the years along with the protection
of the values of the Grove by the Osun people.
Justifying the recognition of the Site by UNESCO, Oluremi Funso Adebayo, Co-Coordinator of National Museum stated, ‘the reason why UNESCO recognized this site, inclusive of the festival is because of the authenticity that is involved. It is the only festival that since 1370AD has remained what it was originally despite modernity; there has not been any adulteration; everything has been in its original state and structures that were put in the place that forms the foundation of Osun Osogbo kingdom are still in existence in the grove.
weeks long festivals usually commence with traditional cleansing of the town
called “Iwopopo”. This is followed by the lighting of a Five hundred-year-old
sixteen points lamb called “Olojomerindinlogun” three days later. The lighting
is followed by “Ibiroriade”, an assemblage of the crowns of the past rulers
(Ataojas) for blessings rite led by the Ataoja, the ruler and votary maid
(Arugba) propelled by Yeye Osun, and a committee of priestesses. The Arugba
bore the people age-long prayers to the grove in a calabash of effigy which can
only be carried by a virgin signifying purity.
The osun Osogbo festival having gained international recognition makes it about the best time to see people of different races and coming from different continents to parade the streets of Osogbo in their different colors. The period of the festival is usually characterized by a procession, dance, art exhibition, and colorful carnivals.
National Institute for Cultural Orientation, 2016
Adebayo, Oluremi F., National Museum, 2007
Ogunfuyi, Kunle, Nigeria: Osun Osogbo – Honoring the river goddess, This Day, Sept 6, 2008